几年过去了，父亲隐忍着的痛苦，母亲丢了魂似的悲痛，女儿经常受到母亲的苛责，既比同龄人成熟又十分可怜、无辜.
事故后幸存的孩子不愿意面对遇难孩子的父母，过着与期望不同的人生，并没有因幸存而快乐，似乎也有说不尽的悲伤.
也许他们再也走不出来了吧，离开的人永远地带走了他们的快乐，特别是错过儿子最后人生的那位父亲. “别担心，因为创造我们的上帝并不贫穷!要是上帝想让我们活下来，他必须也让我们吃东西!对不对？要不是这样，他为什么让我们活在这世上？嗯？”
贪婪的原生家庭对个体的负面影响，安东尼奥卖血换钱是令我最不忍的桥段，曾几何时，底层人民如猪如狗，有何尊严可言
战后很长一段时间意大利电影都沉浸在贫穷的阴影中，要是落在中国，又得被扣上一顶“消费历史苦难，讨好西方”的帽子了The new film, “A Trip to Gibberitia” (“Le Voyage en Charabie”), is an original story from Guillaume Mautalent and Sebastien Oursel, though it is still based on the IP and characters of the original books. It’s described as a new adventure that takes Ernest and Celestine back to Ernest’s country, Gibberitia, to fix his broken violin. This exotic land is home to the best musicians on earth and music constantly fills the air with joy. However, upon arriving, our two heroes discover that all forms of music have been banned there for many years – and for them, a life without music is unthinkable. Along with their friends and a mysterious masked outlaw, Ernest and Celestine must try their best to bring music and happiness back to the land of bears..
